Two interesting typographic snippets came across my desk this week, both from India:
The initiative of Delhi based designer Hanif Kureshi, HandpaintedType is a collaborative project aimed at capturing the rapidly-disappearing lettering styles of street painters across India.
The idea is to document the particular typographic style of individual sign painters. Each artist pruduces a character set on canvas, which is redrawn digitally and eventually released as a commercially available font. Apparently 50% of the proceeds from every font sale goes to the painter and the other half is invested in the continuation of the project.
Here’s an example of an original character set, hand painted in Old Delhi by an artist called Kafeel:
Due to the multicoloured nature of the Indian street typography, once digitised, each font consists of different layers; a base shape with shadows and highlights. These can then be used in different colour combinations to create the full effect:
Find out more from handpaintedtype.com.
2. Hand drawn movie posters
“Dean Pickles” of Asia Obscura came across a factory north of Bangalore, where a man called Ramachandraiah prints movie posters for a living, using a lithographic press from 1901.
His [posters] are five-color, hand-drawn, and measure just 20 inches by 30 inches. They’re printed on thin paper, and illegally slapped up on building sites and highway overpasses late at night. They cost pennies to print. And they’re absolutely gorgeous.
The artist, Raju, speedily draws these posters at a small desk on the sidewalk – about one artwork every three hours!
These are the result:
Amazing, aren’t they? For more on the subject, see part one and part two of the story on Asia Obscura.
wow! that first font is amazing! such detail and so much work that goes into it!
and the posters…love it!!
awesome – it’s nice to see typography coming from the east as opposed to the western typefaces we’re accustomed to.
Yes, we need to find some more!
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