About four months ago I mentioned that the Jack Daniel’s label design was being updated. Well, here’s the latest on the subject…
Sometimes we need to cross the boundaries set by a particular medium or technology in order to challenge the status quo of design.
I know I’m quite late to the party on this one, but it’s still noteworthy when a global brand like Diet Coke takes design risks. Launched this month, apparently this can is a limited edition. Does that perhaps imply that Coca-Cola is not completely confident in the new design? I’m willing to bet that these… Continue reading Diet Coke launches bold new can design
Why are till slips so boring? Berg London rethinks the potential of this common, yet overlooked item.
Who would launch the tenth anniversary redesign of their website on a Friday afternoon? Well, probably only Jason Santa Maria. His twitter bio sums up his unfortunate predicament: “Designer by day, designer by night.”
I really enjoy the look of Catalonian family business Fruita Blanch. The new fresh minimal identity was designed by Barcelona based studio Atipus. They even developed a custom font used across the board. My favourite aspect is how the labels have been designed to reveal as much of the jar content as possible. Sometimes less… Continue reading Fruita Blanch
News of Linotype’s latest typeface offering, Neue Haas Grotesk has swept the typosphere since its release on June 7th. The story goes that the famous digital sans-serif typeface we know today as Helvetica, was originally designed by Max Miedinger in the ’50s as Neue Haas Grotesk. The conversion from metal type to digital resulted in a one-size-fits-all… Continue reading Helvetica redesigned
The iconic Jack Daniel’s label gets a design update.